Panels from Thor #358 (August 1985), script, pencils, and inks by Walt Simonson; colors by Christie Scheele; letters by John Workman, Jr.
And on Crossover-Earth...
Panels from Batman/Captain America one-shot (December 1996), script, pencils, inks, and letters by John Byrne; colors by Patricia Mulvihill; separations by Jamison
The enemy of my enemy may not be my friend, but I bet they'll help us punch out Hitler together. Hey, it worked for the American colonies and France, huh?
I have no idea why this trope seems to occur in the work of writer/penciller/inker combo personality-types.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQenrY-T9_-EUVG2XBTW-ZiSnvw_V3JFU-8tiFlhrdgKCUBaE56ekbiILucymY9gA-xa4zdGy_z1Njojw78Z-YnlUiN4PIRRurK7GzqoEg3B-PmXl2RJaS1ZaVKVCEHP-m-WVr2xjqailLu1jlzylysiBGc3sVXLXNMFDzAURyrHhKBfcqyO4/s1600/button-libertybellmarch.jpg" "It's...")
1 comment:
Also, in Joe Johnston's "The Rocketeer" the Mob takes a break from extortion and murder to assist the Feds against Hollywood Nazis. YAY MAFIA!
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